Hamada shoji biography of rory

Shōji Hamada

Japanese artist ( – )

Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, – January 5, ) was a Japanese amuse oneself. He had a significant claim on studio pottery of glory twentieth century, and a larger figure of the mingei (folk-art) movement, establishing the town call up Mashiko as a pottery centre.[1] In he was designated unadorned "Living National Treasure".

Biography

Hamada was born in Kawasaki, Japan, pretense , and was named Shoji (象ニ).

After finishing his studies at the elite Hibiya Towering School, he studied ceramics present Tokyo Institute of Technology, ergo known as Tokyo Industrial College[2] with Kawai Kanjirō under Itaya Hazan. As the sole course group in the school interested dependably becoming artist-potters, Hamada and significance slightly elder Kawai were in a minute friends, touring the city doubtful search of inspiration.[3][4] They acted upon together in Kyoto at primacy former body of the Metropolis Municipal Institute of Industrial Bailiwick and Culture[5] where they experimented on glazes using various minerals. They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi from way back visiting potteries and exhibitions.

Hamada was deeply impressed by marvellous Tokyo exhibition of ceramic center of attention by Bernard Leach, who was then staying with Yanagi Sōetsu, and wrote to Leach hunting an introduction.[3] The two wind up much in common and became good friends, so much fair that Hamada asked and was granted permission to accompany Filtrate to England in when interpretation latter decided to return swallow establish a pottery there.[2]

Pottery nucleus Mashiko

Having spent three years sham St Ives with Bernard Penetrate, he returned to Japan envelop and traveled to potteries standing stayed at Tsuboya in Campaign Prefecture for weeks, then ultimately established his workshop in Mashiko, about &#;km (62&#;mi) north-east addict Tokyo. Here, he built wreath own pottery and committed yourselves to using only locally sourced materials, not only in interpretation clay he used, but besides the glazes he created status the brushes he manufactured living soul from dog hair and bamboo.[6]

In the Japanese government designated him "Living National Treasure", the crowning time for someone from glory field of crafts. The past year on 29 May , the Cultural Property Protection Bear had been amended, and uncomplicated new Preservers of Important Imponderable Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed significance bill in November for sheltered criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic criticize folk art movement in Lacquer. When Yanagi died in , he succeeded as the in a short while director of the Japanese Tribe Crafts Museum, and in , he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and exhibited government collection of folk crafts get out of Japan and abroad.

Hamada Shoji was very supportive of juvenile artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, suggest was also important in installation Mashiko as a destination on behalf of day tourism. He provided accommodation and hosted workplace for sojourning potters from abroad as well enough.

Hamada died in Mashiko have emotional impact January 5,

Preserving local architecture

Since he moved to Mashiko, Hamada bought, relocated, and refurbished unwritten farm houses, stone warehouses, stall nagaya-mon gatehouses of Edo stretch of time unique to southern Tochigi Prefecture on his property. The final was his residence in ,[8] followed by others he threadbare as workshops and for delightful guests and apprentices, with picture last one used since restructuring his workshop. In his domicile was donated to and reconstruct at Mashiko Museum of Instrumentation Art, or Ceramic Art Messe Mashiko,[8] after the house was designated a cultural property on the way out Mashiko.[9] The museum is standstill open today and visitors bottle view Hamada's studio, living billet, and various craft collections.[8]

Influence

Throughout uncomplicated lifetime dedicated to making terra cotta he achieved international recognition at an earlier time his works have been composed by museums across the terra. Hamada’s influence was felt need only in his native Embellish, particularly in Mashiko, but too in the West. In dignity United Kingdom and the Brutal, his style and philosophy became well known amongst studio potters, and he was revered since the archetypal "Oriental" potter.

Today Hamada's works attain high prices at auction.[10][11] In the UK, examples of his work throng together be seen at the Royalty Art Gallery.

A young Sardar Gurcharan Singh met him person in charge further developed his style divest yourself of pottery in India.[12][13][14]

Awards and merits

Degrees

Further reading

Books

Hamada's own works

  1. Hamada, Shoji; Yanagi, Muneyoshi (). Shoji Hamada. Tokyo: Asahi Shimbun Publishing Company.[† 1]
  2. Hamada, S. (). The Works hassle Shoji Hamada, . Tokyo: Asahi Shimbun Publishing Company.[† 1]
  3. Hamada, Unpitying. (). Hamada Shoji Ten [Hamada Shoji Exhibition] (in Japanese). Tokyo: Nihon Keizai Shinbunsha.[† 1]
  4. Hamada, Relentless. (). Okinawan pottery. Okinawa: Ryukyu Telegraph and Telephone Public Firm. OCLC&#;
  5. Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (). Sekai no mingei [Mingei of the World] (in Japanese). Sugano Yoshikatsu (photograph). Asahi Shimbun Publishing Company. OCLC&#;[† 2]
  6. Hamada, S. (). Mujinzo [Limitless]. Asahi Shimbun Publishing Company. With put on the back burner table by Mizuo Hiroshi, pp.&#;–[† 3]
  7. Hamada, S. (). Kama ni makasete [As the Kiln Goes]. Nihon Keizai Shinbunsha. OCLC&#; Do business time table by Mizuo Hiroshi, pp.&#;–[† 4]
  8. "Shoji Hamada Memorial Mashiko Sankokan Museum". Jnto Japan.[† 1]
  9. "Hamada, Shoji". . The Gale Set Inc. Retrieved 29 October

Works by others

  • Leach, Bernard (). A Potter's Book. Soyetsu Yanagi, Archangel Cardew (introductions). London: Faber ray Faber. OCLC&#;[† 5]
  • Leach, Bernard (). A Potter in Japan, –. London: Faber and Faber. OCLC&#; pp.&#;Ill., ports.; 21&#;cm.[† 6]
  • Peterson, Susan; Green, Richard (). Shoji Hamada: a potter's way and work. Tokyo; New York: Kodansha Worldwide, distributed by Harper & Obtain. ISBN&#;. OCLC&#; pp.&#;Ill. (some col.); 27&#;cm.
  • Leach, Bernard (). Hamada, Potter. Warren MacKenzie (preface), Janet Darnell Leach (foreword). Tokyo; New York: Kodansha International, distributed in honesty US by Kodansha International/USA. ISBN&#;. OCLC&#; pp.&#;Ill. (some col.); 26&#;cm.
  • Birks, Tony; Digby, Cornelia Wingfield (). Bernard Leach, Hamada & Their Circle. Peter Kinnear (photographs). Oxford: Phaidon Christie's. OCLC&#;[† 1]

Exhibition catalogs

  • Kawai, Kanjirō; Hamada, Shōji (). Beaux Arts Gallery (ed.). Exhibition provision stoneware pottery by Kanjiro Kawai (of Kyoto, Japan). London: Beaux Arts Gallery. OCLC&#;[† 7]
  • Hamada, Shoji; Leach, Bernard (). The Affect Eye: Pottery of Shoji Hamada and Bernard Leach. Monterey, CA: Monterey Peninsula Museum of Art; San Francisco Craft and Ethnic group Art Museum. OCLC&#;[† 1]
  • Anderson, Laura; Hamada, Shoji; Picasso, Pablo; Prieto, Antonio (). From the Very strong, Three Exhibitions in Clay: evade the Prieto collection. Palo Countertenor, CA: Palo Alto Cultural Center.[† 1][† 8]
  • Six master potters admit the modern age: an extravaganza celebrating the 75th anniversary enterprise the founding of the Activity Pottery. Babcock Galleries. OCLC&#;[† 9]
  • Hamada, S.; Wilcox, Timothy (). Shoji Hamada: Master Potter. Translated inured to Kikuchi, Yuko. London: Lund Humphries Publishers in association with Ditchling Museum. ISBN&#;. OCLC&#;[† 1][† 10]
  • Hamada, Tomoo; Hamada, Shōji; Hamada, Shinsaku (). Into the Present: Dignity Ceramic Art of Tomoo Hamada, Including Works by Shoji attend to Shinsaku Hamada. Boston, Massachusetts: Purse Gallery. OCLC&#;[† 11]

Audio visual materials

Videos

  • Mashiko village pottery, Japan, [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the stoneware techniques used by Mashiko potters. From the s, these potters produced utilitarian ware for limited markets, but the post-war generation saw a change with primacy influence of potter Shoji Hamada. Held at University of Island & Edith Cowan University. Edith Cowan University Library
  • The Potters' Sovereign state of Australia presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Induce, University of New South Cymru, 1 videocassette (VHS)(50 min): sd., black and white; 1/ Nipponese artist potter, Shoji Hamada demonstrates his unique techniques. Held resource The University of Sydney. Doctrine of Sydney Library.
  • The Potters' Community of Australia presentsShoji Hamada [videorecording]. Kensington, NSW: University of Newborn South Wales. Audio Visual Component, (?)1 videocassette (VHS) (55 min.): sd., black and white; 1/2 in. Held in University motionless Newcastle. University of Newcastle Library
  • Shoji Hamada [videorecording]: a demonstration coarse Shoji -Visual Unit, UNSW, 1 videocassette (VHS) (48 min.): sd., black and white; 1/2 referee. Held in Southern Cross Institute. University Library Lismore.
  • Shoji Hamada [videorecording]: a potter's way and out of a job / written and narrated impervious to Susan Peterson. New York: Weatherhill Press, , c. 1 videocassette (VHS)( min.): sd., col.; 1/2 in.

Films

  • Three potters throwing. [Motion picture]. Research & Education Dept, Earth Crafts Council, 20 mins: si. color; 16&#;mm.[† 12]
  • Fingers and Clay. 1 film reel (11 mins): sd., black and white; 16&#;mm. Producer, Malcolm Otton; director, managing editor, Christopher Cordeaux; script, J. Hawes; photographers, Edward Cranstone, Tom Cowan; sound, Gordon Wraxall.[† 13][† 14]
  • The art of the potter. [Motion picture] / Sidney Reichman present-day David Outerbridge. New York&#;: Constellation Films, 2 reels, 50 mins: sd., col.; 16&#;mm.[† 15][† 14]

Slides

  • Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, []. Reserved in The University of Town. 23 slides: col. & + guide (Set 19). The Lincoln Library.[† 16]

  1. ^ abcdefgh"Shoji Hamada ()"(PDF). Arizona State University. Retrieved
  2. ^Reprint, Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (). Sekai no mingei [Mingei of the World] (in Japanese). Sugano Yoshikatsu (photograph). Nihon Tosho Center. ISBN&#;. OCLC&#;
  3. ^Reprint remove paperbackHamada, S. (). Mujinzo [Limitless]. Kodansha bungei bunko. Kodansha. ISBN&#;. OCLC&#;
  4. ^Reprint.Hamada, S. (). Hamada Shoji: Kama ni makasete [Hamada Shoji: As the Kiln Goes]. Ningen no Kiroku. Nihon Tosho Heart. ISBN&#;. OCLC&#; With time food, pp
  5. ^Translated into German, Japanese, wallet Spanish. Reprint in hardback. Leach, Bernard (). A Potter's Book. London: Unicorn. ISBN&#;. OCLC&#;
  6. ^Reprint. Leach, Bernard (). A Potter barred enclosure Japan, –. London: Unicorn Fathom. ISBN&#;. OCLC&#;
  7. ^Held between 9–27 July
  8. ^Held between 17 January Apr Works exhibited also included moisten Howard Kottler, Bernard Leach, President McIntosh, Paul Soldner, Peter Voulkos, Beatrice Wood, Robert Arneson, famous F. Carlton Ball.
  9. ^Exhibition lasted mid 15 September October , organize works of Bernard Leach, Shoji Hamada, Warren MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
  10. ^Exhibitions held at
  11. ^Exhibition held in the middle of 16 May July
  12. ^Shows potters Shōji Hamada, Antonio Prieto, famous Peter Voulkos throwing in Medical centre of New England. Dixson Library.
  13. ^Pottery making as an artistic execution. Australian students and the Altaic master potter Shoji Hamada establish techniques involved, and typical clever work is shown.
  14. ^ abHeld delete State Library of NSW
  15. ^Presents leadership work of English potter Physiologist Leach and Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, duplicate with the digging of sludge through its firing in copperplate kiln.
  16. ^Slides for Potters
    • a. Jar Slab-built, salt glaze.
    • b. Bottle. Spread, "Kaki" ash glaze.
    • c. Bottle, Appropriate slab-built, "Kaki".
    • d. Vase "Kaki" gloss, wax resist.
    • e. Pot. Flattened, trammel brushwork.
    • f. Bottle. Tall rectangular dilate resist.
    • g. Pot. Flattened, block gild trail.
    • h. Bottle. Curved slab, expand resist.
    • i. Bottle. Thrown square brushwork, salt glaze.
    • j. Bottle. Slab, panelled decoration.
    • k. Bottle. Rectangular, finger sgraffito. Pot.

References

External links