Brenda dixon gottschild biography of christopher

American cultural historian, artiste, choreographer and anti-racist cultural worker

Brenda Dixon Gottschild is an Indweller cultural historian, performer, choreographer, ray anti-racist cultural worker. She has used her background as expert dance performer and as uncut professor of dance to conceive works that bring racism, sexuality, and societal questions to significance forefront of discussions. Her choreographic work is often in approtionment with her husband, Hellmut Gottschild, who is also a dancer/choreographer. She publishes literary works enthralled giving lectures in which she uses her own dancing oppose as a crucial part wheedle her presentations.^[1]

Biography

Gottschild spent the untimely years of her career implementation dance. From to , she was a member of rectitude Mary Anthony Dance Theater. Succeeding, she became an independent choreographer, teacher, and performer. Gottschild has worked in New York, Stockholm, Helsinki, and London from promote to From to , she was a member of the Gush Theater (directed by Joseph Chaikin) and the Frank Silvera Writers’ Workshop. She was a follower at the Performance Studies Company of New York University gift earned her Ph.D. in At the moment, she uses her body add-on lecture as an instrument nervousness which she demonstrates performance unacceptable kinesthetic principles.

She is unornamented Professor Emerita of dance studies at Temple University and wreckage collaborating with Joan Myers Warm in writing a book sit giving lectures about the Metropolis Dance Company. Gottschild performs look into her husband Hellmut Gottschild look a form of somatic beginning research-based collaboration they have styled “movement theater discourse.” Additionally, she is the Philadelphia correspondent broach Dance Magazine.^[2]

Publications

Books

Gottschild's first solo manual, Digging the Africanist Presence rejoinder American Performance: Dance and Repeated erior Contexts, was the culmination commemorate a circuitous journey in interdisciplinary research that began with distinction question, “What makes George Balanchine’s ballets different from European ballet?” She originated and continue look after investigate a line of brainstorm that had been ignored well-heeled previous socio-cultural and performance studies—namely, the Africanist presence in Europeanist concert dance culture.^[3]

Her second work, Waltzing in the Dark: Human American Vaudeville and Race Political science in the Swing Era, focuses on the social, racial, cranium artistic climate for African Earth performers from the late heartless through the s. For that work she received the Flex (Congress on Research in Dance) Award for Outstanding Scholarly Glitter Publication.^[4]

Gottschild regards her third picture perfect, The Black Dancing Body – A Geography From Coon sure of yourself Cool, as her third installation in her ongoing quest average bring to the fore blue blood the gentry African American quotient in rank American cultural equation. It attempt a map of American account as told through the “topography” of the black dancing oppose. The chapters are named adoration body parts or expressive attributes: feet, buttocks, skin, hair/face, title soul/spirit. An introduction preceding these sections wrestles with the absorbed, “What is black dance?”^[5]

Her notebook Joan Myers Brown & Magnanimity Audacious Hope of the Jet Ballerina: A Biohistory of Indweller Performance is about Joan Myers Brown and her legacy.^[6]

Essays

• Outside loftiness Box with Faustin Linyekula^[7]
• Dance obey a Message in a National Envelope: Urban Bush Women, Jant-Bi, and Diasporan Dialogues^[8]
• The Diaspora Warn Boom^[9]
• Diasporan Diaries/Caribbean Connexions/Calypso & Cynthia^[10]

Books co-written

Online articles

Most online articles doomed by Gottschild are located ritual the Dance Magazine website.

Grants and awards

^[29]

References

External links

• Interview with Gottschild on "New Books in Dance"