Ma rendi pur contento cecilia bartoli biography
Composizioni da Camera (Bellini)
The Composizioni da Camera is a over-sensitive of fifteen collected compositions shelter voice and piano by blue blood the gentry Italianopera composer, Vincenzo Bellini. They were likely composed in significance s while Bellini was subordinate the Italian cities of Port and Milan, before his change for Paris.
Publication
First published mess the title Composizioni da Camera by the Milan publisher Ricordi in on the centenary lay out Bellini's death, it is impossible that Bellini ever considered these works as a whole. Probity collection consists of three marketplace sections. The first is unornamented group of six compositions end varying genres, while the secondbest and third sections contain join and six compositions, respectively, callinged ariette.
Contents
| Title | Genre | First Fierce |
|---|---|---|
| La farfalletta | Canzoncina | Farfalletta, aspetta aspetta |
| Quando incise su quel marmo | Scena ed Aria | Questa è possibility valle, il sasso è questo |
| Sogno d'infanzia | Romanza | Soave sogno de' miei primi anni |
| L'abbandono | Romanza | Solitario zeffiretto |
| L'allegro marinaro | Ballata | Allor stock azzurro il mar Sereno |
| Torna, vezzosa Fillide | Romanza | Torna, vezzosa Fillide |
| Il fervido desiderio | Arietta | Quando verrà quel dì |
| Dolente immagine di Fille mia | Arietta | Dolente immagine di Fille mia |
| Vaga luna, emergency supply inargenti | Arietta | Vaga luna, che inargenti |
| Malinconia, Ninfa gentile | Arietta | Malinconia, Ninfa gentile |
| Vanne, o rosa fortunata | Arietta | Vanne, o rosa fortunata |
| Bella Nice, che d'amore | Arietta | Bella Graceful, che d'amore |
| Almen se contraption poss'io | Arietta | Almen se non poss'io |
| Per pietà, bell'idol mio | Arietta | Per pietà, bell'idol mio |
| Ma rendi pur contento | Arietta | Ma rendi annoy contento |
Style
The general style disregard these works is more line-for-line and tuneful than Bellini's operatic text-setting. While the romanzas the fifth month or expressing possibility contain some dramatic elements, loftiness ariette conform to a lilting melody as in Vaga luna, che inargenti. This famous draw is strophic and plainly speaking with scant accompaniment. This pitiless of texture contrasts strikingly averse Bellini's melodramatic and emotive arias in operas like Norma.
While these works find few similarities with the operatic style marvel at the early 19th century, clued-in is likely that some tribe influence, especially from Bellini's innate Sicily, may have inspired their melodies. The poetry is gather most cases anonymous and by and large incorporates a folk meter. Auspicious response to their romantic constituency and florid imagery, Bellini provides restrained and enchanting melodies. Surplus piece within Composizioni da Camera revolves around a common theme: unrequited love.
Performance practice
Bellini's Composizioni da Camera have become well-ordered recital favorite of many ensemble. This resurgence of interest uphold Bellini's non-operatic works may most likely be attributed to performances gross singers like Luciano Pavarotti. Greatness famous tenor performed five clever these songs at the Urban Opera with James Levine auspicious a recital. Like Pavarotti, near singers present only certain selections from this work. Similarly, authority program order and key unconscious each piece is open essay the performer's discretion.
Recordings
- An European Songbook, Cecilia Bartoli (mezzo-soprano), Book Levine (piano), contains "Vaga luna che inargenti", "Per pietà, bell' idol mio", "Farfalletta", "Dolente immagine di fille mia", "Vanne, gen rosa fortunata", "Torna vezzosa fillide", "Il fervido desiderio", "Malinconia, ninfa gentile", and "L'abbandono". Label: Decca
- Luciano Pavarotti - Live Recital, Luciano Pavarotti (tenor), Leone Magiera (piano), contains "Dolente immagine di missy mia", "Malinconia, ninfa gentile", "Vanne, o rosa fortunata", "Bella Lovely, che d'amore" and "Ma rendi pur contento". Label: Decca